J A Y N E . H E L L I W E L L

admin — Sun, 02 May 2010 09:16:31 +0000

Memory

Free Trapper — Wed, 24 Feb 2010 15:46:49 +0000

Celestial Vault

admin — Sat, 06 Feb 2010 16:51:30 +0000

The Hague

Praise James Turrell

Carl Burgess

Free Trapper — Wed, 03 Feb 2010 02:21:10 +0000

Tales of the Unexpected from More Soon on Vimeo.

admin — Sat, 30 Jan 2010 17:44:31 +0000

evolutionary psychedelia - francis upritchard

admin — Sat, 16 Jan 2010 14:45:36 +0000

World War Eleven — Sun, 10 Jan 2010 17:46:06 +0000

Excerpt from the animation Marcell Jankovics made in 1982.

hello 2010!

admin — Mon, 04 Jan 2010 12:14:02 +0000

admin — Mon, 04 Jan 2010 12:03:39 +0000

Peter Campus. At the BFI this month

Seascape - Susan Collins

World War Eleven — Mon, 07 Dec 2009 15:51:36 +0000

www.susan-collins.net/seascape

“Seascape features a series of gradually unfolding digital seascapes created using imagery captured in real time by webcams installed at five key vantage points along the south coast between Margate and Portsmouth. The cameras have been positioned at various seafront locations in Margate, Folkstone, Bexhill, Pagham, and Stokes Bay. For more information visit locations.

Sited at each location for up to a year and remaining online until summer 2009, these webcams transmitted and archived the seascape images in real time. Each image has been constructed a pixel at a time, from top to bottom and left to right of the image, in horizontal bands continuously. A whole image is made up of individual pixels collected over a six and a half hour period, approximately the time it takes for the tide to come in or out. The horizon is framed in each location, forming a fragment of the continuous panorama of the South East coast, where sea and sky combine with stray pixels revealing other presences such as passing ships, yachts, people, birds and windsurfers.

Seascape reveals the endless fluctuations in light and movement, time and tide as well as the shifting weather conditions that are a characteristic feature of the English coastline and whose ever-changing nature has attracted painters for generations.Sited at each location for up to a year and remaining online until summer 2009, these webcams transmitted and archived the seascape images in real time. Each image has been constructed a pixel at a time, from top to bottom and left to right of the image, in horizontal bands continuously. A whole image is made up of individual pixels collected over a six and a half hour period, approximately the time it takes for the tide to come in or out. The horizon is framed in each location, forming a fragment of the continuous panorama of the South East coast, where sea and sky combine with stray pixels revealing other presences such as passing ships, yachts, people, birds and windsurfers.”